ISBN: 9780804750073

To the best of my knowledge, no other work has tackled this problem in such depth and from such a variety of perspectives. This work fills a significant gap in the literature on the ethno… Más…

To the best of my knowledge, no other work has tackled this problem in such depth and from such a variety of perspectives. This work fills a significant gap in the literature on the ethnography of public culture.". The Nile on eBay   FREE SHIPPING UK WIDE   Off Stage/On Display by Andrew Shryock Ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied - not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. Back Cover "The problem of intimacy and mediation is a fascinating and vital one for contemporary anthropology, particularly as more and more ethnographers come to engage with public cultural forms and processes. To the best of my knowledge, no other work has tackled this problem in such depth and from such a variety of perspectives. This work fills a significant gap in the literature on the ethnography of public culture." -Dominic Boyer,Cornell University "This is a book of major importance in relation to the intellectual, practical, and political problems that have beset the field of anthropology. It recognizes the dangerous politics of cultural revelation, but insists that the alternative-the refusal to recognize cultural realities in favor of a bland discourse of identities-is unsatisfactory." -Sherry Ortner,Professor of Anthropology, Columbia University Flap Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. Author Biography Andrew Shryock is Associate Professor of Anthropology at the University of Michigan. Review "The problem of intimacy and mediation is a fascinating and vital one for contemporary anthropology, particularly as more and more ethnographers come to engage with public cultural forms and processes. To the best of my knowledge, no other work has tackled this problem in such depth and from such a variety of perspectives. This work fills a significant gap in the literature on the ethnography of public culture." - Dominic Boyer,Cornell University "This is a book of major importance in relation to the intellectual, practical, and political problems that have beset the field of anthropology. It recognizes the dangerous politics of cultural revelation, but insists that the alternative - the refusal to recognize cultural realities in favor of a bland discourse of identities - is unsatisfactory." - Sherry Ortner,Professor of Anthropology, Columbia University Long Description Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied--not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display , ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. Review Quote This is a book of major importance in relation to the intellectual, practical, and political problems that have beset the field of anthropology. It recognizes the dangerous politics of cultural revelation, but insists that the alternative Details ISBN0804750076 Publisher Stanford University Press Language English ISBN-10 0804750076 ISBN-13 9780804750073 Media Book Format Paperback Illustrations Yes Year 2004 Imprint Stanford University Press Subtitle Intimacy and Ethnography in the Age of Public Culture Place of Publication Palo Alto Country of Publication United States Edition 1st Short Title OFF STAGE/ ON DISPLAY Pages 368 Edited by Andrew Shryock DOI 10.1604/9780804750073 UK Release Date 2004-08-18 AU Release Date 2004-08-18 NZ Release Date 2004-08-18 US Release Date 2004-08-18 Author Andrew Shryock Publication Date 2004-08-18 Alternative 9780804750066 DEWEY 306 Audience Undergraduate We've got thisAt The Nile, if you're looking for it, we've got it.With fast shipping, low prices, friendly service and well over a million items - you're bound to find what you want, at a price you'll love! 30 DAY RETURN POLICYNo questions asked, 30 day returns! FREE DELIVERYNo matter where you are in the UK, delivery is free. SECURE PAYMENTPeace of mind by paying through PayPal and eBay Buyer Protection TheNile_Item_ID:142508873; , Neu, Festpreisangebot, [LT: FixedPrice], ISBN-13: 9780804750073, EAN: 9780804750073, Publication Year: 2004, Format: Paperback, Language: English, Book Title: Off Stage/On Display: Intimacy and Ethnography in the Age of Public Culture, Item Height: 229mm, Item Width: 152mm, Item Weight: 499g, Number of Pages: 368 Pages, Stanford University Press<

ISBN: 9780804750073

Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it… Más…

Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership?In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed. | Off Stage/on Display by Andrew Shryock Paperback | Indigo Chapters Books > Social Science > Popular Culture P10102, Andrew Shryock<

2004, ISBN: 0804750076

[EAN: 9780804750073], Neubuch, [PU: STANFORD UNIV PR], POP ARTS CULTURE SOCIAL SCIENCE POPULAR MEDIA STUDIES, Ten scholars with diverse geographical, theoretical, and topical interests ta… Más…

[EAN: 9780804750073], Neubuch, [PU: STANFORD UNIV PR], POP ARTS CULTURE SOCIAL SCIENCE POPULAR MEDIA STUDIES, Ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more c., Books<

2004, ISBN: 0804750076

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[EAN: 9780804750073], Neubuch, [PU: Stanford Univ Pr], 1st edition. 354 pages. 9.00x6.00x0.75 inches. In Stock., Books