1976, ISBN: 0912670150

[EAN: 9780912670157], Gebraucht, sehr guter Zustand, [PU: Feminist Press, Old Westbury, NY], KÄTHE, xvii, 237 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light shelfwear… Más…

[EAN: 9780912670157], Gebraucht, sehr guter Zustand, [PU: Feminist Press, Old Westbury, NY], KÄTHE, xvii, 237 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light shelfwear, age toning. "A generation after her death, German artist Kathe Kollwitz is winning a reputation as one of the great graphic artists of the 20th Century. Concentrating on the more 'democratic' media--especially etchings, lithographs, posters, and woodcuts, as well as sculpture and bronze reliefs--Kollwitz always created for the people, rather than for the upper class collector. Unlike the volputuous odalisques so often depicted by male artists, Kollowitz's women are joyous or grief stricken, thoughtful or shielding mothers; forlorn, pregnant, widows; tender friends; prostitutes; militant pacifists or revolutionaries in action. In her sensitive narrative, Martha Kearns establishes Kollwitz's contributions to western art, and especially to women's art. This original paperback is generously illustrated with many striking, seldom-see reproductions from private collections, assembled in one volume for the first time." - Publisher. Size: 8vo, Books<

1976, ISBN: 9780912670157

Old Westbury, NY: Feminist Press, 1976. xvii, 237 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light shelfwear, age toning. "A generation after her death, German art… Más…

Old Westbury, NY: Feminist Press, 1976. xvii, 237 pages, illustrations; 23 cm. Firm binding, clean inside copy. Light shelfwear, age toning. "A generation after her death, German artist Kathe Kollwitz is winning a reputation as one of the great graphic artists of the 20th Century. Concentrating on the more 'democratic' media--especially etchings, lithographs, posters, and woodcuts, as well as sculpture and bronze reliefs--Kollwitz always created for the people, rather than for the upper class collector. Unlike the volputuous odalisques so often depicted by male artists, Kollowitz's women are joyous or grief stricken, thoughtful or shielding mothers; forlorn, pregnant, widows; tender friends; prostitutes; militant pacifists or revolutionaries in action. In her sensitive narrative, Martha Kearns establishes Kollwitz's contributions to western art, and especially to women's art. This original paperback is generously illustrated with many striking, seldom-see reproductions from private collections, assembled in one volume for the first time." - Publisher.. Paperback. Very Good. 8vo., Feminist Press, 1976, 3<

1994, ISBN: 9780912670157

Museum Schloß Moritzburg, 1994.., Museum Schloß Moritzburg, 1994., 0, Ullstein, Frankfurt, 1984. Reprint. Softcover. Very Good Condition. the book is illustrated with 52 reprod… Más…

Museum Schloß Moritzburg, 1994.., Museum Schloß Moritzburg, 1994., 0, Ullstein, Frankfurt, 1984. Reprint. Softcover. Very Good Condition. the book is illustrated with 52 reproductions of artwork, and shows no damage. please note the text is in German. Size: 8vo - over 7¾" - 9¾" tall. 152, [4], 48, [4] pages. Text is in German. Please refer to accompanying picture (s). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Art & Design; German Language; ISBN: 3548360629. ISBN/EAN: 9783548360621. Inventory No: 0255508. . 9783548360621, Ullstein, 1984, 3, Feminist Press, 1993. Trade paperback. Good.. Feminist Press, 1976, 237 pages, trade paperback, no underlining or owner's mark, cover creased, Feminist Press, 1993, 2.5<

1976, ISBN: 9780912670157

The Feminist Press at the City University of New York, 1976. Paperback. Near Fine. Trade paperback with minor wear, clean, well bound, no spine crease, former owner's name/address/date … Más…

The Feminist Press at the City University of New York, 1976. Paperback. Near Fine. Trade paperback with minor wear, clean, well bound, no spine crease, former owner's name/address/date on title page, otherwise contents bright, clean and unmarked. Appears unread., The Feminist Press at the City University of New York, 1976, 4<