CROSSROADS PERFORMANCE STUDIES - encuadernado, tapa blanda

EAN (ISBN-13): 9780230219984
ISBN (ISBN-10): 0230219985
Tapa dura
Tapa blanda
Año de publicación: 2009
Editorial: Palgrave Macmillan
255 Páginas
Peso: 0,476 kg
Idioma: eng/Englisch

Libro en la base de datos desde 2009-12-08T04:47:49-06:00 (Mexico City)
Página de detalles modificada por última vez el 2023-10-23T12:24:33-06:00 (Mexico City)
ISBN/EAN: 9780230219984

ISBN - escritura alterna:
0-230-21998-5, 978-0-230-21998-4
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Autor del libro: brady
Título del libro: the crossroads between, irish your own, performance culture

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Datos del la editorial

Autor: Sara Brady
Título: Crossroads: Performance Studies and Irish Culture
Editorial: Palgrave Macmillan; Palgrave Macmillan UK
255 Páginas
Año de publicación: 2009-08-27
London; GB
Peso: 0,490 kg
Idioma: Inglés
54,99 € (DE)

BB; Theatre and Performance Studies; Hardcover, Softcover / Kunst/Theater, Ballett; Darstellende Künste; Verstehen; Performance Studies; Irish Studies; Irish History; Irish Literature; festival; identity; migration; politics; theatre; Performing Arts; Music; Literature, general; History of Britain and Ireland; Modern History; Theatre and Performance Arts; Music; Literature; History of Britain and Ireland; Modern History; Musik; Biographie, Literatur und Literaturwissenschaft; Europäische Geschichte; Geschichte; Westeuropa; Auseinandersetzen; BC; EA; BC; EA

List of Illustrations Acknowledgements Notes on Contributors Introduction: Performance Studies and Irish Culture; F.Walsh  with S.Brady PART I: TRADITION, RITUAL AND PLAY Performing Ireland: A Performative Approach to the Study of Irish Culture; J.Santino Performing Tradition; B.Sweeney Sporting 'Irish' Identities: Performance and the Gaelic Games; S.Brady 'It's beyond Candide it's Švejk': Wise Foolery in the Work of Jack Lynch, Storyteller; M.Wilson Traditional Irish Music in the 21st Century: Networks, Technology, and the Negotiation of Authenticity; S.Spencer PART II: PLACE, LANDSCAPE AND COMMEMORATION 'Tapping Secrecies of Stone': Irish Roads as Performances of Movement, Measurement, and Memory; J.Morrison Commemoration and the Performance of Irish Famine Memory; E.M.FitzGerald Embodying the Past for the Tourist Gaze: Performing History and Commemorations of Violence at Free Derry Corner; M.Spangler St Patrick's Purgatory and the Performance of Pilgrimage; D.Cregan PART III: POLITICAL PERFORMANCES Word, Voice, Book, and Act: De Valera and the Oath; A.Pulju Between the Living and the Dead: Performative 'in-betweens' in the Work of Alastair MacLennan; C.Szabó The Bio-politics of Performing Irish-ness; M.Causey PART IV: GENDER, FEMINISM, AND QUEER PERFORMANCE Ghosting Bridgie Cleary: Tom Mac Intyre and Staging this Woman's Death; C.McIvor Challenging Patriarchal Imagery: Amanda Coogan's Performance Art; G.C.Novati Homelysexuality and the 'Beauty' Pageant; F.Walsh PART V: DIASPORA, MIGRATION, GLOBALIZATION Taking Northern Irish Identity on the Road: The Smithsonian Folklife Festival of 2007; E.Moore Quinn Who's Laughing at What?: Currents of Humour in African-Irish Theatre; E.Weitz Parading Multicultural Ireland: Identity Politics and National Agendas in the 2007 St Patrick's Festival; H.Maples Index