1972, ISBN: 096ea37a04632c214d87fd307fd51c5d

Pasta blanda, Pasta dura

Millerton: Aperture, 1972. Second Printing. Hardcover. A very good copy in white cloth with a very good jacket. Stated second printing. "Her pictures challenge the basic assumption… Más…

Millerton: Aperture, 1972. Second Printing. Hardcover. A very good copy in white cloth with a very good jacket. Stated second printing. "Her pictures challenge the basic assumptions on which most so-called documentary photography has been assumed to rest. They are concerned with private rather than social realities, with psychological rather than visual coherence, with the prototypical and mythic rather than the topical and temporal. her real subject is no less than the unique interior lives of those she photographed." (John Szarkowski)., Aperture, 1972, First softcover edition, first printing, Aperture, 1972. In good condition, crease on front panel, spine end chipped with clear tape along spine, cover with some yellowing, date, 1974 and name from an aperture member on free front endpage, all pages and plates are clean and unmarked., Aperture, 1972, New York: Millerton. NF/NF. 1972. First Edition. Hardcover; Fifth Printing. No marks or names. Very minor edge wear to boards and DJ. ; 4to ., Millerton, 1972, Aperture, 1972. 3rd Printing. Hardcover. Very Good/Very Good. Third Printing. An Aperture Monograph. Clean bright boards. Very clean and bright DJ. Unmarked clean pages. Very Attractive copy!, Aperture, 1972, New York: Aperture, 1972. Hardcover. Fine/fine. Diane Arbus. Stated fifth printing. Near fine in a like jacket, unclipped (stickered at $19.50), light edge wear and a spot of surface rubbing on the back panel. White pictorial boards with the famous twins, minimally shelfworn. Square and tight, clean internally., Aperture, 1972, Aperture, 1972. Hardcover. Very Good/Good. This oversized Hardback book is in Very Good condition. slight darkening to top edge, else, clean, tight, bright. White boards with picture of identical twins on front cover. Black spine lettering. the price-clipped, else complete Dust Jacket is darkened, with 3 edge tears. back of dust jacket rubbed. a Quite interesting, wierd, and wonderful compilation of photos by Diane Arbus, who commited suicide, the year the book was originally printed. this is the 10th printing., Aperture, 1972, Millertown: Aperture, (1972).. First trade paperback printing, first issue.. 4to. [182 pp]. Small bend to lower corner of front cover, else very near fine in glossy illustrated wrappers., Millertown: Aperture, Millerton, New York: Aperture, 1972. Fine/Near Fine. Tenth printing. Quarto. Fine in a price-clipped, near fine dustwrapper with a short tear on the front panel and a little soiling. A very nice copy of this very important and influential monograph, published shortly after the photographer's untimely death. Parr and Badger, The Photobook Volume 1, p. 258-259; Hasselblad, The Open Book, p. 284-285; Roth. The Book of 101 Books, p. 214-215., Aperture, 1972, Millerton, N.Y.: Aperture, 1972. Black and white photographs. Photo-illustrated paper-covered boards with black lettering on spine. Matching photo-illustrated dust jacket. Includes 15 pages of text by Diane Arbus edited from tape recordings of a series of classes Arbus gave in 1971 as well as from interviews and her writings. FIRST EDITION includes the photo of "Two Girls in Identical Raincoats" which was removed from later printings due to legal controversy. Front board and page edges are foxed; light scratches near bottom of front and rear boards. Interior is near fine: clean, square and tight throughout. Dust jacket in mylar sleeve is near fine but for 1/2" closed tear at top of front panel. and light scratch along bottom of front panel. Published in 1972, a year after her suicide, in conjunction with a major exhibition of her work at the Museum of Modern Art in New York. Book is one of Andrew Roth's 101 seminal photographic books of the twentieth century: Arbus replaced photography's old model of smarmy humanism with a vision that was at once pitiless and engaged, tough and surprisingly tender." . First Edition. Hardcover. Very Good/Very Good. Illus. by Diane Arbus (photographer). Quarto., Aperture, 1972, Aperture, 1972. Hardcover. First edition, first printing. Good to Fair hardcover with wear and soiling to covers, light bumps to tips and edges, gift inscription and pen mark to first two pages, dog ears to the first four pages, creases to the last page, general handling wear through out and rub-off to some pages opposite the plates. Lacking dj. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. 184 pages; 80 b&w full-page photographic plates; 9.5 x 11 inches. When Diane Arbus committed suicide in 1971, only a relatively small number of her most important pictures were widely known. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the concurrent retrospective at the Museum of Modern Art--offered the general public its first encounter with the breadth and power of her work. Now considered a classic of photographic literature, it is probably the best selling photography book of all time. This copy is the first printing with the plate titled "Two Girls in Identical Raincoats, Central Park, N.Y.C, 1969" which was suppressed in subsequent printings. See: Parr & Badger, The Photobook, Vol. 1, p258; Roth, Book of 101 Books, p214; The Open Book, p284., Aperture, 1972, Millerton, NY: Aperture, 1972. Hardcover. First edition, second printing. Near Fine minus hardcover with a couple of small foxing spots, a couple of small bumps to the bottom edges of the boards and light taps to the spine ends and one tip in a Near Fine price-clipped dust jacket with a hint of wear at one tips and a hint of shelf wear. A very nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs and statements by Diane Arbus; edited and designed by Doon Arbus and Marvin Israel. 184 pages; 80 b&w full-page photographic plates; 9.5 x 11 inches. When Diane Arbus committed suicide in 1971, only a relatively small number of her most important pictures were widely known. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the concurrent retrospective at the Museum of Modern Art--offered the general public its first encounter with the breadth and power of her work. Now considered a classic of photographic literature, it is probably the best selling photography book of all time. This copy is the second printing with the plate titled "A Woman with Her Baby Monkey, N.J. 1971" replacing the plate of two girls in identical raincoats which was removed for legal reasons. See: Parr & Badger, The Photobook, Vol. 1, p258; Roth, Book of 101 Books, p214; The Open Book, p284; Auer, 802 Photo Books, p546., Aperture, 1972, Millerton, New York: Aperture, , 1972. Brossura (wrappers). Molto Buono (Very Good). Published in conjunction with the posthumous 1972 retrospective exhibition of Diane Arbus' work at the Museum of Modern Art, New York. With text and 80 black and white photographs by Diane Arbus. Edited and designed by Doon Arbus and Marvin Israel / Monografia pubblicata in occasione della grande retrospettiva al Museum of Modern Art di New York, tenuta nel 1972, a un anno dalla morte di Diane Arbus. Un testo e 80 fotografie in bianco e nero della Arbus. 4to. pp. 180. Molto Buono (Very Good). Prima edizione, V Ristampa., Aperture, 1972, New York: Aperture Books. Very Good+ with no dust jacket. 1972. First Edition; First Printing. Paperback. 0912334401 . Photographs; 4to 11" - 13" tall; (280 x 230 mm). Illustrated with black and white photographs throughout. Photographic paper wrappers. Condition: minor soiling along spine. First paperback edition. Includes "Girls in Identical Raincoats". Covers mainly side show performers, midgets, giants, etc. Quite probably one of the twentieth century's most important photography books. 80 full page black and white plates printed by Rapoport Printing. If you can't see the "Raincoat" photo email me for it. Graphic of copyright page also available. This is the 1972 first edition and NOT the 1988 even though the ISBN number was reused for the 1988 edition and so downloads the later date. Disregard this- it is the 1972 first edition paperback. ., Aperture Books, 1972, Aperture & The Museum of Modern Art, 1972-01-01. Hardcover. Very Good. Nice looking book, has minor edge wear., Aperture & The Museum of Modern Art, 1972-01-01, Millerton, NY: An Aperture Monograph, 1972. First Edition. Hardcover. Very Good. Hardcover. First edition, first printing with the photo of "Two Girls in Central Park in Identical Raincoats" . Very Good, in a price-clipped dust jacket. Toning to top edges, corners bumped, bottom spine of book and jacket heavily bumped, dust jacket shows a bit of toning and edge wear, with a short closed tear along the top of the front spine joint and associated creasing along the top of the front panel, and light foxing to the blank verso. Scarce., An Aperture Monograph, 1972, Millerton: Aperture, 1972. 1st Edition. Hardcover. Very Good/Good. First printing of the First Edition with the image of the two sisters excised in later printings. Cloth in very good condition in dust jacket with a few closed tears and a small one inch triangular piece gone from bottom of front cover. Exhibition catalog of posthumous show which brought fame to Diane Arbus. From the library of Jack Welpott. Very good condition in good un clipped dust jacket., Aperture, 1972, Millerton:: Aperture,. Very Good in Very Good dust jacket. 1972. Hardcover. 0912334401 . Black and white photographs throughout, including "Two girls in identical raincoats." First printing. Two small spots of light soiling on front free endpaper, else very good in a very good (four short - about an inch or so - closed edge tears, corner crease to each flap) dust jacket. ., Aperture, 1972, Millerton, New York: Aperture, 1972. First Edition; first issue (with the Two girls in identical raincoats photograph). Some minor crinkling due to damp, but still very good or better in a very good dust jacket with minor wear and tear. This book was issued in collaboration with the MOMA retrospective, which was responsible for raising the then recently deceased photographers reputation, which has steadily climbed since., Aperture, 1972, New York: Aperture, 1972. First Edition. First Edition, first issue with "Two Girls in Identical Raincoats." Published in conjunction with a posthumous exhibition of the photographer's work at the Museum of Modern Art which helped establish her deserving reputation. Very Good plus in a Very Good plus dust jacket. Light foxing to the boards, endpapers, and first few leaves. Jacket has a few short closed tears on the front panel, and light rubbing overall. Roth 101 US. Parr and Badger Vol. 1 US., Aperture, 1972, New York: Aperture,, 1972. With an afterword by Doris Arbus. Quarto. Original white boards, photographic illustration to front board, titles to spine in black. With the photographic dust jacket. Contemporary ownership inscription to front free endpaper. Light toning to spine tips, tiny closed tear to fore margin of plate titled " A huband and wife in the woods at a nudist camp", a couple of faint finger marks to contents. A very good copy in a jacket with a few short closed tears and minor marking. First edition, first printing. This copy is the first printing with the plate titled "Two Girls in Identical Raincoats, Central Park, N. Y. C, 1969" which was suppressed in subsequent printings., New York: Aperture, 1972, Millerton, NY: Aperture, 1972. Hardcover. First edition, first printing. Very Good minus hardcover with a light bump to the crown and light handling wear in a Very Good minus dust jacket with two one-inch tears/creases, light wear at the edges and extremities, a small crease to one corner of the front flap, and light soiling. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs and statements by Diane Arbus; edited and designed by Doon Arbus and Marvin Israel. 184 pages; 80 b&w full-page photographic plates; 9.5 x 11 inches. When Diane Arbus committed suicide in 1971, only a relatively small number of her most important pictures were widely known. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the concurrent retrospective at the Museum of Modern Art--offered the general public its first encounter with the breadth and power of her work. Now considered a classic of photographic literature, it is probably the best selling photography book of all time. This copy is the first printing with the plate titled "Two Girls in Identical Raincoats, Central Park, N.Y.C, 1969" which was suppressed in subsequent printings; this edition is also printed on heavier paper than later printings. See: Parr & Badger, The Photobook, Vol. 1, p258; Roth, Book of 101 Books, p214; The Open Book, p284; Auer, 802 Photo Books, p546., Aperture, 1972, Millerton, New York: Aperture, , 1972. Brossura (wrappers). Ottimo (Fine). Published in conjunction with the posthumous 1972 retrospective exhibition of Diane Arbus' work at the Museum of Modern Art, New York. With text and 80 black and white photographs by Diane Arbus (including the image entitled ''Two Girls in Identical Raincoats, Central Park, New York City, 1969'' removed from later printings of the book). Edited and designed by Doon Arbus and Marvin Israel / Monografia pubblicata in occasione della grande retrospettiva al Museum of Modern Art di New York, tenuta nel 1972, a un anno dalla morte di Diane Arbus. Un testo e 80 fotografie in bianco e nero della Arbus, compresa l'immagine intitolata ''Two Girls in Identical Raincoats, Central Park, New York City, 1969'' che fu rimossa dall'editore nelle successive ristampe del volume. 4to. pp. 180. Ottimo (Fine). Nessun segno, difetto, strappo o mancanza alle copertine o alle pagine interne (Covers, pages and plates in excellent condition). Prima edizione (First Edition, First Printing)., Aperture, 1972, Millerton, NY:: Aperture,, 1972.. Hardcover. FINE in VERY GOOD PLUS jacket. 1972 hardcover in 15.00 dust jacket. Apparent first printing of the first edition (no additional printings indicated; contains the image entitled "Two Girls in Identical Raincoats, Central Park, New York City, 1969" which was removed from later printings of the book). Not clear if this is the special edition for MOMA or the standard edition, as both ISBNs are present. Book as new except slight tanning along upper edge of endpapers; a few very minor surface dings on cover that are barely visible. Dust jacket has very slight edgewear; two small rips (less than an inch) at bottom of spine and bottom of rear hinge have been repaired with "transparent" tape. An unusually nice copy of this scarce edition. OVERSIZE. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA., Aperture, 1972., E-30: Aperture. Very Good in Good+ dust jacket. 1972. First Edition; First Printing. Hardcover. Hardcover. 4to. Aperture Monograph. 1972. Illustrated with Black and White Plates. First Edition/First Printing (no additional printings indicated; contains the image entitled "Two Girls in Identical Raincoats, Central Park, New York City, 1969" which was removed from later printings of the book). DJ has shelf-wear, rubbing present to the DJ especially around the extremities (small closed tears present to the edges and stains present the DJ extremities) No ownership marks present. The text is clean and free of marks, binding tight and solid, boards lightly rubbed and worn. The image of the two girls in raincoats is present. Diane Arbus (March 14, 1923 – July 26, 1971) was an American photographer and writer noted for photographs of marginalized people—dwarfs, giants, transgender people, nudists, circus performers—and others whose normality was perceived by the general populace as ugly or surreal. E-30; 8vo 8" - 9" tall ., Aperture, 1972, New York: Aperture, Millerton/MOMA 1972, 1972. First edition, first printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. Introductory essay by Diane Arbus and a black and white frontispiece photograph of Arbus by Stephen Frank. A near-fine copy in printed photographic boards with some bumping to the lower corners. In a Near-fine photographic dust jacket in mylar wraps with one small closed tear to the rear bottom edge near the spine and a smaller one to the top edge in a near-identical position. A scarce first edition of the monograph produced to accompany the MoMA restrospective of Arbus' work that closely followed her suicide and cemented her place in the first rank of American photographers. This edition carries the print of two girls wearing identical raincoats that was excised from later printings. "Nothing is ever the same as they said it was. It's what I've never seen before that I recognise"., New York: Aperture, Millerton/MOMA 1972, 1972<

1972, ISBN: 096ea37a04632c214d87fd307fd51c5d

New York: Aperture, Millerton/MOMA 1972, 1972. First ed, 2nd printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. … Más…

New York: Aperture, Millerton/MOMA 1972, 1972. First ed, 2nd printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. Introductory essay by Diane Arbus and a black and white frontispiece photograph of Arbus by Stephen Frank. A near-fine copy in printed photographic boards with some bumping to the lower corners. In a Near-fine photographic dust jacket in mylar wraps with one small closed tear to the rear bottom edge near the spine and a smaller one to the top edge in a near-identical position. A scarce first edition of the monograph produced to accompany the MoMA restrospective of Arbus' work that closely followed her suicide and cemented her place in the first rank of American photographers. This edition carries the print of two girls wearing identical raincoats that was excised from later printings.� "Nothing is ever the same as they said it was. It's what I've never seen before that I recognise"., New York: Aperture, Millerton/MOMA 1972, 1972<

1972, ISBN: 096ea37a04632c214d87fd307fd51c5d

Pasta dura

Near Fine, [SC: 10.68], [PU: New York: Aperture, Millerton/MOMA 1972], Jacket, First edition, first printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of blac… Más…

Near Fine, [SC: 10.68], [PU: New York: Aperture, Millerton/MOMA 1972], Jacket, First edition, first printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. Introductory essay by Diane Arbus and a black and white frontispiece photograph of Arbus by Stephen Frank. A near-fine copy in printed photographic boards with some bumping to the lower corners. In a Near-fine photographic dust jacket in mylar wraps with one small closed tear to the rear bottom edge near the spine and a smaller one to the top edge in a near-identical position. A scarce first edition of the monograph produced to accompany the MoMA restrospective of Arbus' work that closely followed her suicide and cemented her place in the first rank of American photographers. This edition carries the print of two girls wearing identical raincoats that was excised from later printings. "Nothing is ever the same as they said it was. It's what I've never seen before that I recognise"., Books<

1972, ISBN: 096ea37a04632c214d87fd307fd51c5d

New York: Aperture, Millerton/MOMA 1972, 1972. First edition, first printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpagi… Más…

New York: Aperture, Millerton/MOMA 1972, 1972. First edition, first printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. Introductory essay by Diane Arbus and a black and white frontispiece photograph of Arbus by Stephen Frank. A near-fine copy in printed photographic boards with some bumping to the lower corners. In a Near-fine photographic dust jacket in mylar wraps with one small closed tear to the rear bottom edge near the spine and a smaller one to the top edge in a near-identical position. A scarce first edition of the monograph produced to accompany the MoMA restrospective of Arbus' work that closely followed her suicide and cemented her place in the first rank of American photographers. This edition carries the print of two girls wearing identical raincoats that was excised from later printings. "Nothing is ever the same as they said it was. It's what I've never seen before that I recognise"., New York: Aperture, Millerton/MOMA 1972, 1972<

1972, ISBN: 096ea37a04632c214d87fd307fd51c5d

[PU: New York: Aperture, Millerton/MOMA 1972], Jacket, First ed, 2nd printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpagi… Más…

[PU: New York: Aperture, Millerton/MOMA 1972], Jacket, First ed, 2nd printing, exclusively for MoMA. 4to. (285x230mm). pp. [ii. bl], [vi], 15; 80 pp of black and white photographs, unpaginated. Introductory essay by Diane Arbus and a black and white frontispiece photograph of Arbus by Stephen Frank. A near-fine copy in printed photographic boards with some bumping to the lower corners. In a Near-fine photographic dust jacket in mylar wraps with one small closed tear to the rear bottom edge near the spine and a smaller one to the top edge in a near-identical position. A scarce first edition of the monograph produced to accompany the MoMA restrospective of Arbus' work that closely followed her suicide and cemented her place in the first rank of American photographers. This edition carries the print of two girls wearing identical raincoats that was excised from later printings. "Nothing is ever the same as they said it was. It's what I've never seen before that I recognise".<