2002, ISBN: 9780312240158

[ED: Softcover], [PU: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan], Sounding Indigenous explores the relations between music, people, and places through analy… Más…

[ED: Softcover], [PU: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan], Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences. 2002. 2002. xiii, 289 S. XIII, 289 p. 216 mm Versandfertig in 6-10 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, Offene Rechnung (Vorkasse vorbehalten)<

2002, ISBN: 9780312240158

Authenticity in Bolivian Music Performance, Buch, Softcover, Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: … Más…

Authenticity in Bolivian Music Performance, Buch, Softcover, Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences. [PU: Palgrave Macmillan], Seiten: 289, Palgrave Macmillan, 2002<

2002, ISBN: 0312240155

[EAN: 9780312240158], New book, [PU: Palgrave Macmillan US], ARCHAEOLOGY ANTHROPOLOGY MUSIC ETHNOMUSICOLOGY SOCIAL SCIENCE ETHNIC STUDIES GENERAL CULTURAL & AUSEINANDERSETZEN GLOBALIZATIO… Más…

[EAN: 9780312240158], New book, [PU: Palgrave Macmillan US], ARCHAEOLOGY ANTHROPOLOGY MUSIC ETHNOMUSICOLOGY SOCIAL SCIENCE ETHNIC STUDIES GENERAL CULTURAL & AUSEINANDERSETZEN GLOBALIZATION IDENTITY NATION ORGANIZATION TRANSNATIONAL REGIONALSTUDIEN REGIONAL AND, Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. MICHELLE BIGENHO is a Visiting Assistant Professor of Anthropology and Latin American Studies at Hampshire College. Her field of research has focused on music performance in Bolivia and Peru.Sounding Indigenous explores the relations between music, peop., Books<