2003, ISBN: 0674010973

[SR: 4640487], Hardcover, [EAN: 9780674010970], Harvard University Asia Center, Harvard University Asia Center, Book, [PU: Harvard University Asia Center], 2003-12-30, Harvard University … Más…

[SR: 4640487], Hardcover, [EAN: 9780674010970], Harvard University Asia Center, Harvard University Asia Center, Book, [PU: Harvard University Asia Center], 2003-12-30, Harvard University Asia Center, Despite Taiwan's rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors--social, economic, political--have stimulated religion. How and why this has happened are central issues in this book. One part of Taiwan's flourishing religious culture is the elaborate and colorful procession of local gods accompanied by troupes of musicians and dancers. Among them are performers with outlandishly painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community. In conducting fieldwork among these troupes, Donald Sutton confronted their claims to a long history--when all evidence indicated that the troupes had been insignificant until the 1970s--and their assertions of devotion to tradition given the diversity of performances. Concentrating on the stylistic variations in performances, the author describes the troupes as organizations shaped by the "market forces" of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible., 9, History, 4762, Africa, 4808, Americas, 16252761, Arctic & Antarctica, 4884, Asia, 4921, Australia & Oceania, 4935, Europe, 4995, Middle East, 5032, Russia, 4853, United States, 5035, World, 4873, Ancient Civilizations, 5011, Military, 4987, Historical Study & Educational Resources, 1000, Subjects, 283155, Books, 12735, Other Eastern Religions & Sacred Texts, 12257, Book of the Dead (Tibetan), 12741, Confucianism, 12750, I Ching, 12752, Jainism, 12482, Shintoism, 12755, Sikhism, 297525, Tao Te Ching, 12757, Taoism, 12759, Zoroastrianism, 22, Religion & Spirituality, 1000, Subjects, 283155, Books, 11232, Social Sciences, 3048861, Children's Studies, 13022421, Communication & Media Studies, 11005, Criminology, 11244, Customs & Traditions, 11247, Demography, 10555, Disaster Relief, 11251, Emigration & Immigration, 11256, Folklore & Mythology, 11258, Gender Studies, 11270, Gerontology, 10775, Holidays, 11272, Human Geography, 69845, Library & Information Science, 11986, Linguistics, 11274, Methodology, 16233621, Museum Studies & Museology, 11276, Philanthropy & Charity, 4556, Popular Culture, 11280, Pornography, 10576, Poverty, 11282, Reference, 11284, Research, 11286, Social Work, 11298, Specific Demographics, 11324, Urban Planning & Development, 3825161, Violence in Society, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books, 11235, Cultural, 11233, Anthropology, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books, 468234, Religious Studies, 491436, Buddhism, 491438, Christianity, 684281011, Comparative Religion, 491442, Islam, 491444, Judaism, 491446, Religious History, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books, 491448, Anthropology, 468214, Social Sciences, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books<

2003, ISBN: 0674010973

[SR: 314950], Hardcover, [EAN: 9780674010970], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], 2003-11-04, Harvard University Press, Exorcistic P… Más…

[SR: 314950], Hardcover, [EAN: 9780674010970], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], 2003-11-04, Harvard University Press, Exorcistic Performers and Chinese Religion in Twentieth-Century Taiwan, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 772040, Other Religions, 771714, Religious History, 65, History, 1025612, Subjects, 266239, Books, 271266, East Asia, 271267, China, 271274, Japan, 271275, Korea, 271248, Asia, 771708, Countries & Regions, 65, History, 1025612, Subjects, 266239, Books, 277511, Other Religions, 277527, Agnosticism & Atheism, 277538, Ancient European & Mediterranean Religions, 277512, Baha'i, 277515, Confucianism, 277529, Contemporary Cults, 277390, Earth-Based Religions, 277516, Eastern Mystical Philosophy, 277521, Jainism, 277535, Scientology, 277523, Sikhism, 277524, Taoism, 277536, Tribal & Ethnic, 58, Religion & Spirituality, 1025612, Subjects, 266239, Books, 276446, Customs, 496628, Customs & Folklore, 276412, Anthropology, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books, 276413, Social & Cultural, 276412, Anthropology, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books<

ISBN: 9780674010970

Despite Taiwan''s rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors--social, econ… Más…

Despite Taiwan''s rise as an economic force in the world, modernity has not led to a Weberian process of disenchantment or curbed religiosity. To the contrary, other factors--social, economic, political--have stimulated religion. How and why this has happened are central issues in this book.One part of Taiwan''s flourishing religious culture is the elaborate and colorful procession of local gods accompanied by troupes of musicians and dancers. Among them are performers with outlandishly painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community. In conducting fieldwork among these troupes, Donald Sutton confronted their claims to a long history--when all evidence indicated that the troupes had been insignificant until the 1970s--and their assertions of devotion to tradition given the diversity of performances. Concentrating on the stylistic variations in performances, the author describes the troupes as organizations shaped by the "market forces" of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible. Books List_Books, [PU: Harvard University Press]<