1992, ISBN: 9780521383073

[PU: Cambridge University Press], XIV, 276 p. Hardcover with dust jacket. Lediglich der Schutzumschlag ist leicht berieben, sonst ein sehr gutes Exemplar ohne Anstreichungen / Only the du… Más…

[PU: Cambridge University Press], XIV, 276 p. Hardcover with dust jacket. Lediglich der Schutzumschlag ist leicht berieben, sonst ein sehr gutes Exemplar ohne Anstreichungen / Only the dust jacket is slightly rubbed, otherwise a very good copy without annotations. - CONTENTS List of contributors Prologue 1 THE ORATOR AND THE READER: Manipulation and response in Cicero’s Fifth Verrine R. G. M. NISBET 2 STRATAGEMS OF VANITY: Cicero, Ad familiares 5.12 and Pliny’s letters NIALL RUDD 3 ‘SHALL I COMPARE THEE...?’: Catullus 68b and the limits of analogy D. C. FEENEY 4 ATOMS AND ELEPHANTS: Lucretius 2.522—40 T. P. WISEMAN 5 IN MEMORIAM GALLI-. Propertius 1.21 IAN M. LE M. DUQUESNAY 6 THE POWER OF IMPLICATION: Horace’s invitation to Maecenas (Odes 1.20) FRANCIS CAIRNS 7 THE VOICE OF VIRGIL: The pageant of Rome in Aeneid 6 G. P. GOOLD 8 FROM ORPHEUS TO ASS’S EARS: Ovid, Metamorphoses 10.1—11.193 D. E. HILL 9 POET AND AUDIENCE IN SENECAN TRAGEDY: Phaedra 358—430 GORDON WILLIAMS 10 PERSIUS’ FIRST SATIRE: A re-examination J. G. F. POWELL 11 NERO’S ALIEN CAPITAL: Tacitus as paradoxographer (Annals 15.36-7) TONY WOODMAN 12 AMOR CLERICALIS P. G. WALSH 13 EPILOGUE Notes Abbreviations , DE, [SC: 4.50], gebraucht; gut, gewerbliches Angebot, [GW: 516g], Banküberweisung, Offene Rechnung, PayPal, Internationaler Versand<

1992, ISBN: 9780521383073

Cambridge University Press. Very Good+ in Near Fine dust jacket. 1992. Hardcover. 0521383072 . Scholar's bookplate to inner cover (G. P. Goold) else Book is fine. Very Minor shelfwea… Más…

Cambridge University Press. Very Good+ in Near Fine dust jacket. 1992. Hardcover. 0521383072 . Scholar's bookplate to inner cover (G. P. Goold) else Book is fine. Very Minor shelfwear to DJ ; The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context. ; 292 pages ., Cambridge University Press, 1992, 4<

1992, ISBN: 0521383072

[EAN: 9780521383073], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Cambridge University Press], Jacket, XIV, 276 p. Lediglich der Schutzumschlag ist leicht berieben, sonst ein sehr gute… Más…

[EAN: 9780521383073], Gebraucht, sehr guter Zustand, [SC: 4.0], [PU: Cambridge University Press], Jacket, XIV, 276 p. Lediglich der Schutzumschlag ist leicht berieben, sonst ein sehr gutes Exemplar ohne Anstreichungen / Only the dust jacket is slightly rubbed, otherwise a very good copy without annotations. - CONTENTS List of contributors Prologue 1 THE ORATOR AND THE READER: Manipulation and response in Cicero’s Fifth Verrine R. G. M. NISBET 2 STRATAGEMS OF VANITY: Cicero, Ad familiares 5.12 and Pliny’s letters NIALL RUDD 3 ‘SHALL I COMPARE THEE.?’: Catullus 68b and the limits of analogy D. C. FEENEY 4 ATOMS AND ELEPHANTS: Lucretius 2.522—40 T. P. WISEMAN 5 IN MEMORIAM GALLI-. Propertius 1.21 IAN M. LE M. DUQUESNAY 6 THE POWER OF IMPLICATION: Horace’s invitation to Maecenas (Odes 1.20) FRANCIS CAIRNS 7 THE VOICE OF VIRGIL: The pageant of Rome in Aeneid 6 G. P. GOOLD 8 FROM ORPHEUS TO ASS’S EARS: Ovid, Metamorphoses 10.1—11.193 D. E. HILL 9 POET AND AUDIENCE IN SENECAN TRAGEDY: Phaedra 358—430 GORDON WILLIAMS 10 PERSIUS’ FIRST SATIRE: A re-examination J. G. F. POWELL 11 NERO’S ALIEN CAPITAL: Tacitus as paradoxographer (Annals 15.36-7) TONY WOODMAN 12 AMOR CLERICALIS P. G. WALSH 13 EPILOGUE Notes Abbreviations and bibliography Indexes. ISBN 9780521383073 Sprache: Englisch Gewicht in Gramm: 516, Books<

1992, ISBN: 0521383072

[EAN: 9780521383073], Gebraucht, sehr guter Zustand, [PU: Cambridge University Press], LATIN LITERATURE CLASSICAL GREEK & ROMAN, Jacket, Scholar's bookplate to inner cover (G. P. Goold) e… Más…

[EAN: 9780521383073], Gebraucht, sehr guter Zustand, [PU: Cambridge University Press], LATIN LITERATURE CLASSICAL GREEK & ROMAN, Jacket, Scholar's bookplate to inner cover (G. P. Goold) else Book is fine. Very Minor shelfwear to DJ ; The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context. ; 292 pages, Books<