2012, ISBN: 9780895511119

Pasta blanda, Pasta dura

paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date: December 2012 Pages: 148 Language: Chinese in… Más…

paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date: December 2012 Pages: 148 Language: Chinese in Publisher: Jilin University Press new thinking 5 +2 exam Pioneer Zhou the test Yuekao Midterm and final break through the barrier of 100 points: language (6th grade next volume) (RJB ) is a tailor-made for students in the spirit of the new curriculum reform to consolidate the knowledge. training. capacity. breakthrough difficulties excellent test volume. The new thinking 5 +2 exam Pioneer week test Yuekao Midterm and final break through the barrier of 100 points: language (grade 6 volumes) (RJB) by key provinces and cities prestigious teaching and research staff. academic leaders. front-line special senior teachers follow carefully prepared by the basis for the consolidation of the idea - the ability to expand - further education training. Gradual layers to enhance scientific and efficient. to meet the students' thinking training program. full penetration. and the implementation of the concept of new curriculum standards. strict synchronization with the existing materials for the entrance examination. it will become the majority of students in the fast-growing Xuehai beacon! Contents: the first week of checkpoints test volumes classical two hastily pass through the test volume for the second week of the first unit of the mahogany top bowl teenager fingers checkpoints to test the volume of the first unit of knowledge collation and review of the third week of checkpoints testing volumes Beijing Spring Festival Tibetan opera fourth the distinctive residential Wada weeks checkpoints test volume Uighur second unit checkpoints test volume the fifth week pass through the test volume of 16 years ago. memories of the sixth week of the light of the knowledge finishing second unit and the review Yuekao (a) pass through the test volume checkpoints The third unit of the test volume work of serving the people overnight checkpoints to test the volume unit knowledge little girl sells matches finishing with the seventh week of the review checkpoints test volume where card the eighth weeks checkpoints test volume Robinson Crusoe. Tom Sawyer Adventures Kee fourth unit checkpoints Test Volume IV unit knowledge finishing with the review Yuekao (b) pass through the test volume ninth week pass through the test volume the beautiful Millennium dreams across the centuries in the tenth week of eras checkpoints the test volumes truth born in one hundred question marks My best teacher after the fifth unit checkpoints test volume of the fifth unit of knowledge finishing eleventh week of the review checkpoints test volume growth footprint Week 12 checkpoints test volumes parting sixth unit checkpoints test volume collate and review of the sixth unit of knowledge the checkpoints the test volume of Yuekao (c) pass through the thirteenth week of the test volume checkpoints Test Volume ancient poetry recitation Week comprehensive review of 16 of the week 15 pass through the test volume explore issues and training week pass through the test volume reading and writing training months Test volume part of the reference answer test (d) test checkpoints Vol pass through the end of the test volume checkpoints Satisfaction guaranteed,or money back., New York: Harper & Row, 1965. SIGNED FIRST EDITION with dust jacket. Full black cloth with orange and white lettering on the spine, signed by Walter Lord on the title page, jacket is price-clipped and has light rubbing at the edges. Overall a EXCELLENT book in a VERY GOOD PLUS dust jacket. A good gift. Walter Lord (October 8, 1917–May 19, 2002) was an American author, best known for his documentary-style non-fiction account A Night to Remember, about the sinking of the RMS Titanic. Lord was born in Baltimore, Maryland to John Walterhouse and Henrietta Hoffman. His father was a lawyer who died when Walter was just three years old. Following high school at Baltimore's Gilman School, he studied history at Princeton University, graduating in 1939. Lord then enrolled at Yale Law School, interrupting his studies to join the Army after the attack on Pearl Harbor. During World War II, he was assigned to the Office of Strategic Services as a code clerk in London in 1942. He was the agency's secretariat when the war ended in 1945. Afterwards, Lord returned to Yale where he earned a degree in law. While Lord wrote a dozen successful books on such subjects as Pearl Harbor (Day of Infamy, 1957), the Battle of Midway (Incredible Victory, 1967), the Battle of the Alamo, polar exploration and the civil rights struggle, he was best known for his best-selling 1955 book A Night to Remember about the sinking of the Titanic. It was made into a popular 1958 British movie of the same name. In writing A Night to Remember, Lord took the time to track down nearly 60 Titanic survivors to get their stories. He also wrote another book about the Titanic titled The Night Lives On, published in 1986. Shortly after going to work as a copywriter for the J. Walter Thompson advertising agency in New York, Mr. Lord published The Fremantle Diary, edited and annotated from the journals of a British officer and Confederate sympathizer who toured the South for three months in 1863. It was a mild but surprising success in 1954, when Mr. Lord was well into completing A Night to Remember. Using techniques learned in researching tax issues, he tracked down some sixty survivors and turned their stories into a dramatic, minute-by-minute account of Titanic 's maiden voyage. In later years, he was a frequent lecturer at meetings of the Titanic Historical Society. In 1997, Lord served as a consultant to director James Cameron during the filming of the movie Titanic. The "sequel" to Titanic, Ghosts of the Abyss is dedicated to Lord's memory. Lord was a lifelong bachelor and died after a long struggle with Parkinson's disease at his Manhattan home at age 84. Noted historian David McCullough said of Lord at his death, "He was one of the most generous and kind-hearted men I've ever known, and when I had stars in my eyes and wanted to become a writer, he was a great help. I'll always be indebted to him." Walter Lord is buried in the Lord family plot at historic Greenmount Cemetery in Baltimore, marked by a marble bench listing the books he authored.. Signed by Author. First Edition. Full Cloth. Near Fine/Very Good. 8vo - over 7¾" - 9¾" tall. Hardcover., Harper & Row, 1965, Brisbane: Cooperative Research Centre for Coastal Zone, Estuary and Waterway Management. 2004. 4to. 278pp, lavishly illustrated in colour, maps. Soft covers. A fine clean copy. ISBN 0957867883 ., Cooperative Research Centre for Coastal Zone, Estuary and Waterway Management, 2004, Los Angeles: UCLA Chicano Studies Research Center, 2009. Hardcover. New/No Jacket. Born in El Paso in 1937, Celia Alvarez Muñoz grew up amid competing cultures, languages, and value systems along the U.S.-Mexico border. In this in-depth study, Roberto Tejada gives an account of the artist through biography and cultural history, in conjunction with more traditional art history and close visual analysis. As both poet and photography historian, Tejada offers a critical corollary to Alvarez Muñoz's artistic practice: while the poet engages the arbitrariness of language, the photography historian engages the indexical nature of the image. In straddling these modes, Celia Alvarez Muñoz introduces us to an image-text artist whose art explores the first glances and misread signs that occur where cultures meet and the stories that they tell about the history of American society, culture, and modern art. "Celia Alvarez Muñoz is an elegantly written study that situates the author's work in relation to Chicana/o cultural history as well as to (post)minimalist and (post)conceptualist art.... It lays a foundation for rethinking the canon in a way that bridges the gap between Latin American studies and U.S. art criticism." - Claire Fox, author of The Fence and the River: Culture and Politics at the U.S. Mexico Border. 45 color illustrations., UCLA Chicano Studies Research Center, 2009<

2012, ISBN: 9780895511119

University of Oklahoma Press, Norman: 2012. Hardcover with dustjacket. Brand new book. Euro-Americans see the Spanish conquest as the main event in the five-century history of Mesoameri… Más…

University of Oklahoma Press, Norman: 2012. Hardcover with dustjacket. Brand new book. Euro-Americans see the Spanish conquest as the main event in the five-century history of Mesoamerica, but the people who lived there before contact never gave up their own cultures. Both before and after conquest, indigenous scribes recorded their communities' histories and belief systems, as well as the events of conquest and its effects and aftermath. Today, the descendants of those native historians in modern-day Mexico and Guatemala still remember their ancestors' stories. In Mesoamerican Memory, volume editors Amos Megged and Stephanie Wood have gathered the latest scholarship from contributors around the world to compare these various memories and explore how they were preserved and altered over time. Rather than dividing Mesoamerica's past into pre-contact, colonial, and modern periods, the essays in this volume emphasize continuity from the pre-conquest era to the present, underscoring the ongoing importance of indigenous texts in creating and preserving community identity, history, and memory. In addition to Nahua and Maya recollections, contributors examine the indigenous traditions of Mixtec, Zapotec, Tarascan, and Totonac peoples. Close analysis of pictorial and alphabetic manuscripts, and of social and religious rituals, yields insight into community history and memory, political relations, genealogy, ethnic identity, and portrayals of the Spanish invaders. Drawing on archaeology, art history, ethnology, ethnohistory, and linguistics, the essays consider the function of manuscripts and ritual in local, regional, and, now, national settings. Several scholars highlight direct connections between the collective memory of indigenous communities and the struggles of contemporary groups. Such modern documents as land titles, for example, gain legitimacy by referring to ancestral memory. Crossing disciplinary, methodological, and temporal boundaries, Mesoamerican Memory advances our understanding of collective memory in Mexico and Guatemala. Through diverse sourcesÑpictorial and alphabetic, archaeological, archival, and ethnographicÑreaders gain a glimpse into indigenous remembrances that, without the research exhibited here, might have remained unknown to the outside world., University of Oklahoma Press, Norman: 2012, University of Oklahoma Press, Norman: 2012. Hardcover with dustjacket. Brand new book. How indigenous manuscripts and rituals preserved a people's identity, history, and memory in the face of conquest Euro-Americans see the Spanish conquest as the main event in the five-century history of Mesoamerica, but the people who lived there before contact never gave up their own cultures. Both before and after conquest, indigenous scribes recorded their communities' histories and belief systems, as well as the events of conquest and its effects and aftermath. Today, the descendants of those native historians in modern-day Mexico and Guatemala still remember their ancestors' stories. In Mesoamerican Memory, volume editors Amos Megged and Stephanie Wood have gathered the latest scholarship from contributors around the world to compare these various memories and explore how they were preserved and altered over time. Rather than dividing Mesoamerica's past into pre-contact, colonial, and modern periods, the essays in this volume emphasize continuity from the pre-conquest era to the present, underscoring the ongoing importance of indigenous texts in creating and preserving community identity, history, and memory. In addition to Nahua and Maya recollections, contributors examine the indigenous traditions of Mixtec, Zapotec, Tarascan, and Totonac peoples. Close analysis of pictorial and alphabetic manuscripts, and of social and religious rituals, yields insight into community history and memory, political relations, genealogy, ethnic identity, and portrayals of the Spanish invaders. Drawing on archaeology, art history, ethnology, ethnohistory, and linguistics, the essays consider the function of manuscripts and ritual in local, regional, and, now, national settings. Several scholars highlight direct connections between the collective memory of indigenous communities and the struggles of contemporary groups. Such modern documents as land titles, for example, gain legitimacy by referring to ancestral memory. Crossing disciplinary, methodological, and temporal boundaries, Mesoamerican Memory advances our understanding of collective memory in Mexico and Guatemala. Through diverse sourcesÑpictorial and alphabetic, archaeological, archival, and ethnographicÑreaders gain a glimpse into indigenous remembrances that, without the research exhibited here, might have remained unknown to the outside world. 52 black and white Illustrations, 3 Maps, 2 Tables. Amos Megged is author of Social Memory in Ancient and Colonial Mesoamerica. Stephanie Wood is Research Associate at the Center for the Study of Women in Society at the University of Oregon. She is coeditor of Indian Women of Early Mexico, also published by the University of Oklahoma Press., University of Oklahoma Press, Norman: 2012, Los Angeles: UCLA Chicano Studies Research Center, 2009. Hardcover. New/No Jacket. Born in El Paso in 1937, Celia Alvarez Muñoz grew up amid competing cultures, languages, and value systems along the U.S.-Mexico border. In this in-depth study, Roberto Tejada gives an account of the artist through biography and cultural history, in conjunction with more traditional art history and close visual analysis. As both poet and photography historian, Tejada offers a critical corollary to Alvarez Muñoz¿s artistic practice: while the poet engages the arbitrariness of language, the photography historian engages the indexical nature of the image. In straddling these modes, Celia Alvarez Muñoz introduces us to an image-text artist whose art explores the first glances and misread signs that occur where cultures meet and the stories that they tell about the history of American society, culture, and modern art. "Celia Alvarez Muñoz is an elegantly written study that situates the author's work in relation to Chicana/o cultural history as well as to (post)minimalist and (post)conceptualist art. It lays a foundation for rethinking the canon in a way that bridges the gap between Latin American studies and U.S. art criticism." ¿ Claire Fox, author of The Fence and the River: Culture and Politics at the U.S. Mexico Border. 45 color illustrations., UCLA Chicano Studies Research Center, 2009<

ISBN: 0895511118

Gebundene Ausgabe, [EAN: 9780895511119], UNIV OF MINNESOTA PR, UNIV OF MINNESOTA PR, Book, [PU: UNIV OF MINNESOTA PR], UNIV OF MINNESOTA PR, 187254, Biografien & Erinnerungen, 498536, Bes… Más…

Gebundene Ausgabe, [EAN: 9780895511119], UNIV OF MINNESOTA PR, UNIV OF MINNESOTA PR, Book, [PU: UNIV OF MINNESOTA PR], UNIV OF MINNESOTA PR, 187254, Biografien & Erinnerungen, 498536, Bestimmte Gesellschaftgruppen, 498472, Erinnerungen, 498456, Geschichte, 16153855031, Herausragende Persönlichkeiten, 498510, Kunst & Literatur, 16153806031, Länder & Ethnische Gruppen, 16153891031, Nachschlagewerke & Sammlungen, 187266, Profis & Akademiker, 16153910031, Reale Kriminalfälle, 13626101, Reise & Abenteuer, 498524, Sport & Outdoors, 16153909031, Survival, 541686, Kategorien, 186606, Bücher, 14630836031, Moderne Kunst, 548400, Film, Kunst & Kultur, 541686, Kategorien, 186606, Bücher, 14630873031, Geschichte, 14630872031, Geschichte & Kritik, 548400, Film, Kunst & Kultur, 541686, Kategorien, 186606, Bücher, 14630875031, Themen & Konzepte, 14630876031, Frauen in der Kunst, 14630877031, Landschaften & Meer, 14630878031, Menschliche Figur, 14630879031, Pflanzen & Tiere, 14630880031, Portrait, 14630881031, Science-Fiction & Fantasy, 14630882031, Ukiyo-e, 14630872031, Geschichte & Kritik, 548400, Film, Kunst & Kultur, 541686, Kategorien, 186606, Bücher, 14630883031, Einzelne Künstler, 14630884031, Essays, 14630885031, Künstlerbücher, 14630886031, Monographien, 548400, Film, Kunst & Kultur, 541686, Kategorien, 186606, Bücher, 15777151, Biografien & Erinnerungen, 498456, Geschichte, 13626091, Politik, 143, Politik & Geschichte, 541686, Kategorien, 186606, Bücher, 60177011, Geschichte & Kritik, 59670011, Kunst & Fotografie, 54071011, Genres, 52044011, Fremdsprachige Bücher, 60195011, Zeitgenössische Kunst, 60179011, Schulen, Strömungen & Stile, 59670011, Kunst & Fotografie, 54071011, Genres, 52044011, Fremdsprachige Bücher, 56797011, Biografien & Erinnerungen, 56820011, Ethno & National, 56874011, Fachleute & Akademiker, 56902011, Familie & Kindheit, 56833011, Historisch, 56798011, Kunst & Literatur, 57107011, Memoiren, 56887011, Nachschlagewerke & Sammlungen, 56858011, Politiker & Persönlichkeiten, 1316778031, Regional U.S., 56903011, Reisen, 1316987031, Spezifische Gruppen, 57108011, Sport & Freizeit, 54071011, Genres, 52044011, Fremdsprachige Bücher<

2009, ISBN: 9780895511119

Los Angeles: UCLA Chicano Studies Research Center, 2009. Hardcover. New/No Jacket. Born in El Paso in 1937, Celia Alvarez Muñoz grew up amid competing cultures, languages, and va… Más…

Los Angeles: UCLA Chicano Studies Research Center, 2009. Hardcover. New/No Jacket. Born in El Paso in 1937, Celia Alvarez Muñoz grew up amid competing cultures, languages, and value systems along the U.S.-Mexico border. In this in-depth study, Roberto Tejada gives an account of the artist through biography and cultural history, in conjunction with more traditional art history and close visual analysis. As both poet and photography historian, Tejada offers a critical corollary to Alvarez Muñoz's artistic practice: while the poet engages the arbitrariness of language, the photography historian engages the indexical nature of the image. In straddling these modes, Celia Alvarez Muñoz introduces us to an image-text artist whose art explores the first glances and misread signs that occur where cultures meet and the stories that they tell about the history of American society, culture, and modern art. "Celia Alvarez Muñoz is an elegantly written study that situates the author's work in relation to Chicana/o cultural history as well as to (post)minimalist and (post)conceptualist art.... It lays a foundation for rethinking the canon in a way that bridges the gap between Latin American studies and U.S. art criticism." - Claire Fox, author of The Fence and the River: Culture and Politics at the U.S. Mexico Border. 45 color illustrations., UCLA Chicano Studies Research Center, 2009<