Artistic Judgement A Framework for Philosophical Aesthetics - libro usado

EAN (ISBN-13): 9789400700307
ISBN (ISBN-10): 940070030X
Tapa dura
Tapa blanda
Año de publicación: 2011
Editorial: Graham Mcfee
195 Páginas
Peso: 0,472 kg
Idioma: eng/Englisch

Libro en la base de datos desde 2007-01-05T16:56:29-06:00 (Mexico City)
Página de detalles modificada por última vez el 2023-08-03T03:26:08-06:00 (Mexico City)
ISBN/EAN: 9789400700307

ISBN - escritura alterna:
94-007-0030-X, 978-94-007-0030-7
Mode alterno de escritura y términos de búsqueda relacionados:
Autor del libro: graham, mcfee, wittgenstein, charles travis, gordon baker
Título del libro: artistic studies, aesthetics, judge, artisti, the last judgement, philosophical

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Datos del la editorial

Autor: Graham McFee
Título: Philosophical Studies Series; Artistic Judgement - A Framework for Philosophical Aesthetics
Editorial: Springer; Springer Netherland
196 Páginas
Año de publicación: 2011-01-16
Dordrecht; NL
Impreso en
Idioma: Inglés
106,99 € (DE)
109,99 € (AT)
118,00 CHF (CH)
POD
XII, 196 p.

BB; Hardcover, Softcover / Philosophie/Allgemeines, Lexika; Philosophie Ästhetik; Verstehen; Aesthetics; Arts; History of art; Philosophical aesthetics; Philosophy of art; Aesthetics; Arts; Kunst: allgemeine Themen; BC

Artistic Judgement sketches a framework for an account of art suitable to philosophical aesthetics. It stresses differences between artworks and other things; and locates the understanding of artworks both in a narrative of the history of art and in the institutional practices of the art world. Hence its distinctiveness lies in its strong account of the difference between, on the one hand, the judgement and appreciation of art and, on the other, the judgement and appreciation of all the other things in which we take an aesthetic interest. For only by acknowledging this contrast can one do justice to the importance regularly ascribed to art. The contrast is explained by appealing to an occasion-sensitive account of understanding, drawn from Charles Travis directly, but with Gordon Baker (and Wittgenstein) as also proximate rather than remote. On this basis, it argues, first, that we need to offer accounts of key topics only as far as questions might be raised in respect of them (hence, not exceptionlessly); and, second, that we should therefore defend the view that the meaning of artworks can be changed by later events (the historical character of art, or forward retroactivism) and that art has an institutional character, understood broadly on the lines of Terry Diffey’s Republic of Art. Besides providing a general framework, Artistic Judgement also explores the applications of the ideas to specific artworks or classes of them.
Offers a distinctive account of the importance of distinguishing artistic judgement from mere aesthetic judgement Grounds the discussion in an interesting, innovative framework for explaining meaning and understanding Connects philosophical aesthetics with institutions of art-making and art-appreciating Offers a framework as a research agenda for the future of philosophical aesthetics