2013, ISBN: 9780521627597

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Cambridge, MA: The MIT Press, 2013. Hardcover. Fine/Published Without Dust Jacket. Folio - over 12" - 15" tall. 192 pp. Tightly bound. Corners not bumped. Text is free of mark… Más…

Cambridge, MA: The MIT Press, 2013. Hardcover. Fine/Published Without Dust Jacket. Folio - over 12" - 15" tall. 192 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. No remainder mark. Published without dust jacket. Note: Book still in original publisher shrink wrap., The MIT Press, 2013, 5, Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997. 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating Carl Andre's 'Equivalent VIII,' consisting of 120 bricks, as a work of art. This publication shows not only how the bricks are indeed sculpture, but that Minimalist works such as this present some of the most interesting and imaginative work of the 1960s. Minimalism emerged and developed as a reaction against the emotiveness of Abstract Expressionism. Although most of the artists involved did not regard themselves as part of a group, there are certain key factors that define Minimalist work: it is abstract, three-dimensional, modular, serial, geometric, preconceived in design and industrial in execution. This introduction examines the implications of these characteristics, looking in particular at the work of five key artists: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, and Robert Morris." - Publisher. Contents: Introduction; 1. After Abstract Expressionism; 2. Andre, Flavin, Judd, LeWitt; 3. Critical interpretations; 4. Revisions and continuations.. Paperback. Fine. 8vo., Cambridge University Press; Movements in Modern Art Ser., 1997, 5<

1997, ISBN: 9780521627597

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997. 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating … Más…

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997. 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating Carl Andre's 'Equivalent VIII,' consisting of 120 bricks, as a work of art. This publication shows not only how the bricks are indeed sculpture, but that Minimalist works such as this present some of the most interesting and imaginative work of the 1960s. Minimalism emerged and developed as a reaction against the emotiveness of Abstract Expressionism. Although most of the artists involved did not regard themselves as part of a group, there are certain key factors that define Minimalist work: it is abstract, three-dimensional, modular, serial, geometric, preconceived in design and industrial in execution. This introduction examines the implications of these characteristics, looking in particular at the work of five key artists: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, and Robert Morris." - Publisher. Contents: Introduction; 1. After Abstract Expressionism; 2. Andre, Flavin, Judd, LeWitt; 3. Critical interpretations; 4. Revisions and continuations. . Paperback. Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Cambridge University Press; Movements in Modern Art Ser., 1997, 5<

1997, ISBN: 9780521627597

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating C… Más…

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating Carl Andre's 'Equivalent VIII,' consisting of 120 bricks, as a work of art. This publication shows not only how the bricks are indeed sculpture, but that Minimalist works such as this present some of the most interesting and imaginative work of the 1960s. Minimalism emerged and developed as a reaction against the emotiveness of Abstract Expressionism. Although most of the artists involved did not regard themselves as part of a group, there are certain key factors that define Minimalist work: it is abstract, three-dimensional, modular, serial, geometric, preconceived in design and industrial in execution. This introduction examines the implications of these characteristics, looking in particular at the work of five key artists: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, and Robert Morris." - Publisher. Contents: Introduction; 1. After Abstract Expressionism; 2. Andre, Flavin, Judd, LeWitt; 3. Critical interpretations; 4. Revisions and continuations.. Paperback. Fine. 8vo - over 7¾" - 9¾" tall. Collectible., Cambridge University Press; Movements in Modern Art Ser., 1997, 5<

1997, ISBN: 9780521627597

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997. 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating … Más…

Cambridge: Cambridge University Press; Movements in Modern Art Ser., 1997. 80 pages, illustrations (some colour); 25 cm. Tight, clean copy. "Many people have difficulty appreciating Carl Andre's 'Equivalent VIII,' consisting of 120 bricks, as a work of art. This publication shows not only how the bricks are indeed sculpture, but that Minimalist works such as this present some of the most interesting and imaginative work of the 1960s. Minimalism emerged and developed as a reaction against the emotiveness of Abstract Expressionism. Although most of the artists involved did not regard themselves as part of a group, there are certain key factors that define Minimalist work: it is abstract, three-dimensional, modular, serial, geometric, preconceived in design and industrial in execution. This introduction examines the implications of these characteristics, looking in particular at the work of five key artists: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, and Robert Morris." - Publisher. Contents: Introduction; 1. After Abstract Expressionism; 2. Andre, Flavin, Judd, LeWitt; 3. Critical interpretations; 4. Revisions and continuations.. Paperback. Fine. 8vo., Cambridge University Press; Movements in Modern Art Ser., 1997, 5<